FirePresser v1.0 WiN

Team R2R | Feb 25 2020 | 12.8 MB

PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

A secret trick to get natural yet powerful sounding compression is to use multiple compressors in series. FirePresser offers you four of the most iconic analogue compressor emulations in a simple interface, which lets you blend all of them easily and get lush analogue compression to any material in no time.

Fine Selection
Based on long time studio experience, FireSonic has carefully chosen a set of compressors with unique and expressive characteristics and turns those devices into one.

Shortcut to the Finest Blend
FirePresser’s Rainbow Pad gives you control over the amount of presence of every compressor in the chain. Drag just one parameter to achieve the best results. Quick, simple and creative.

Order As You Wish
Of course, the order of the compressors matters. But you may change it in a fragment of a second. Simple dragging the compressors labels lets you re-order and compare in no time.

Fine Tuning with Detector
Although the effect of FirePresser is instant, skilled users may want to use the Detector. That gives you access to advanced features of all engaged compressors at the same time.

Salt and Pepper Finish
The overall effect of FirePresser can be accentuated by dialling the Turbo knob to get more squash and seasoned by pleasant analogue saturation.

Universal Use
FirePresser is equipped with lots of presets for almost any studio situation. In most cases, you will just load a preset and dial Wet/Dry knob to achieve fantastic results. FirePresser is a real time-saver.

Hassle-Free Software Protection
No iLok, no dongle nor internet access is required for activation. Our software uses licence files to activate your software. You can freely use the purchased software on all your computers as long as you are the user.

Realistic 3D Yet Flexible GUI
Photorealistic graphic user interface of the plugin gives you the feeling you are touching the real hardware. But it easily adapts to your needs. You can always drag the arrow in the bottom right corner to change its size – make it smaller to save the valuable screen space, or enlarge it to make it easier to use.

15-Days Unlimited Trial Version for Free
All the descriptions are nothing comparing to putting hands on the plugin yourself. No saving limits. No noises. No boundaries. Engage the plugin in your project for real and fully exploit its powers for two weeks.

64-bit Audio Quality at ANY Sampling Rate
The plugin provides the maximum audio quality you can get. It uses internal 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher.

Smart Bypass
The intelligent way our plugins manage bypassing ensures that you don’t get any click or harmful noises when automating the parameter.

INFO/DEMO/BUY: https://mage.si/0M4X
FirePresser v1.0 WiN-R2R
https://beelink.in/41188/FirePresser-v1.0-WiN-R2R.html

Comp76 v2.0.1 WiN MAC

Team R2R | 25.09.2018 | WiN: 229 MB | MAC: 267 MB

Comp76 FET Compressor-Limiter

( AU, AAX*, VST3, VST, x86, x64.)

The revolutionary simulation of legendary fet compressor-limiter beyond the hardware.

Comp76 is the ultimate tool for professional engineers who mix with no compromises:

• Hyper-realistic simulation of the original unit thanks to the 4th generation dsp technology
• Built-in Parallel Compression
• Built-in Mid-Side Processing
• Sidechain processing
• Simulation of all transformers in the original unit
• Emulates the original All-buttons-in mode
• Low cpu usage (more than 1000 instances on a Macbook Pro Retina)
• Lots of presets designed in real mixing sessions

NEW in v2!
– Three revisions in one plugin!
– Built-in Mid-Side Processing
– Built-in Parallel Compression
– NEW in v2! Low frequency sensitivity control
– NEW in v2! Harmonics amount control
– NEW in v2! Oversample control, including ultra-oversampling mode
– Hyper-realistic simulation of the original unit thanks to the 4th generation dsp technology
– Simulation of all transformers in the original unit
– Emulates the original All-buttons-in mode
– Low cpu usage (more than 1000 instances on a Macbook Pro Retina)
– Lots of presets designed in real mixing sessions
– Scribble Strips: take notes anywhere on the plugin panel
– Meter Calibration: calibrate the VU meters at 5 different sensibilities

INFO/DEMO/BUY: http://mage.si/ppjN
Comp76 v2.0.1 AAX AU VST VST3 x86 x64 WiN MAC-R2R
http://beelink.in/34107/Comp76-v2.0.1-WiN-MAC-R2R.html

Culture Loop Kit WAV

FANTASTiC | 25 February 2020 | 155 MB

40 Custom made loops With styles varying from dark to poppy, guitar loops and synthy plucks.

INFO/DEMO/BUY: https://mage.si/Xx93
Culture Loop Kit WAV
https://beelink.in/41189/Culture-Loop-Kit-WAV.html

Mixbus32C v6.0.0 WiN

Team R2R | Feb 25 2020 | 99 MB

Dynamic Maturity / Contemporary Mixing

Respect of the Aged Day

Mixbus32C is as relevant today as the first 32 series consoles were 40 years ago. H Consoles are dynamically mature products – products that retain the benefits of long, successful experience while incorporating the best of all the new technology. Mixbus32C is designed in the most operationally ergonomic manner possible. Mixbus was hailed by the industry as a breakthrough for “in the box” mixing by incorporating decades of console building experience into a cost effective mixing platform for today. Mixbus32C takes that concept to the natural next step by using the full resources of today’s technological advancements to precisely emulate not only the operational advantages, but to faithfully emulate the analog performance of the traditional analog console.

Operational Advantages
Because of the way the Mixbus32C mixer page is laid out, the most commonly used controls are displayed and are accessible at all times using a rich, high contrast, GUI design that gracefully and accurately emulates the original hardware version of the 32C console. This traditional layout not only looks good but allows the engineer to approach the console as if it were a musical instrument, directly affecting the art of mixing and contributing greatly to the success of any given mix.

Analog Performance
Pioneered the use of high performance computer technology over the last 20 years to provide unmatched processing power in the world’s largest mixing environments. By keeping up with these incremental technological steps through the decades, can now faithfully emulate the beautifully designed analog signal processing designs of the past and incorporate them into a full function “True Analog” mixing console within the digital audio workstation environment.

More Equalization
Each Mixbus32C channel strip incorporates an exact emulation of the original 32C parametric four-band sweepable EQ with a separately switchable filter section including second order high-pass and low-pass filters. Every resistor, capacitor, and transistor was modeled. To run this complex DSP on every channel strip was impossible just 5 years ago.

More Buses
Mixbus32C provides 12 stereo mix buses, each with individual level control, latency compensation, and associated master channel incorporating the highly successful tape saturation, bus compression, and tone control functionality.

INFO/DEMO/BUY: http://mage.si/zjMU
Mixbus32C v6.0.0 WiN-R2R
http://beelink.in/27380/Mixbus32C-v6.0.0-WiN-R2R.html

Slap Bass v1.1 WiN MAC

TALULA | 25 February 2020 | MAC: 9.57 GB | WiN: 6.36 GB

Slap Bass was sampled from a Fender Jazz electric bass guitar with Carvin J99 pickups and DR Hi-Beam bass strings directly into a Radial Pro48 DI Box. An extended range was obtained by tuning the E-string all the way down to a C. The low B (B0) of a standard 5-string bass was omitted do to “floppiness” from down-tuning. “Slap” and “pop” articulations were carefully and meticulously recorded for each note, although in the extreme upper range of the bass, do to tension of the string, normal notes starts to become indistinguishable from a pop articulations. Regular notes were recorded with a guitar pick, in order to maintain a semi-percussive and metallic sound.

Regular pick notes were recorded in 5 note round-robin with 4 velocity layers. The velocity layers themselves don’t have much of a dynamic range (between -7 -1 dB), as bass guitars are typically compressed signals that end up somewhat level in modern recordings. Slap articulations are 5 turn round-robin, but exist as one velocity layer. The decision was made to simply pick the best representations of a slap or pop sound, rather than mix in many different sounds, in order to achieve a “better” sounding vst instrument as opposed to a more “realistic” one.

Bass strings were periodically cleaned with denatured alcohol, as the metallic Hi-Beam sound tends to darken rather quickly. Pains were taken to ensure that the transition in tone between strings was minimized by selecting the best places to start sampling a new string. One octave of harmonics was achieved by selecting the best harmonic tones and tuning/detuning strings around these notes, thus it would be impossible to recreate these harmonics on a standard-tuned bass, but they do sound cool.

Slides were recorded for most strings, but were ommited for things like open strings, or when sliding down or up would overshoot standard tuning. Major Thirds and Perfect Fifths were chosen for the sake of usability. Slides were recorded at a tempo of 120 BPM.

Release v2.2 1/10/2020
***********************
Improvements since last version:
– *Mac Au/VST versions now conform to OS X Catalina code signing and notarization requirements.
– *Mac versions are now installed via package installers.
– *Resources for Mac versions and a config file are now placed outside of the vst and component bundles. This is because Apple wants things code-signed now: verifying resources in a bundle would – take too long and the config can’t be inside because it would invalidate the code signature. If you don’t like it, complain to Apple!
– *Maintaining separate legacy (32-bit) Mac versions for those who need them (OS X 10.9-10.14)

INFO/DEMO/BUY: http://redi.se/3bx4
Slap Bass v2.2 AAX AU VSTi WiN MAC
https://thuglink.com/get/JNrQoM15ET

TC ULTiMATE BUNDLE

P2P | 25.02.2020 | 747.93 MB

..:: WAV, MiDi, FLP, FXP, FST ::..

INCLUDES:
– HYBRID BASS V.1
– HYBRID BASS V.2
– SINISTER SOUNDS V.1
– SATURATED DRUMS V.1
– REVOLUCION V.1
– PROPHETIC PROGRESSIONS
– FL STUDIO TEMPLATE 2020

INFO/DEMO/BUY: https://mage.si/xK24
TC ULTiMATE BUNDLE
https://beelink.in/41190/TC-ULTiMATE-BUNDLE.html

Steampunk Weapons WAV

DiSCOVER | 03/APRiL/2017 | 747 MB

Where weapons past meets the future. Our newest sound library is here: Steampunk Weapons! We mixed the old with the new to make this uniquely diversified collection of weapons. Combining modern recording techniques with metal, rusted objects, and synthesis, if you need some more weapons that break the mold of traditional weapons, this is the collection for you!

……:::::: Specifications ::::::……
• Format: WAVs
• 013 x Angry Daddy
• 023 x B Eva
• 015 x Back From The Past
• 015 x Big Fuckin Gun
• 019 x Bio Machine
• 016 x Bolt Gun
• 027 x Bucket Gun
• 019 x Bulb Presser Gun
• 020 x Cash Machine Gun
• 013 x Clack Gun
• 015 x Clicker Gun
• 009 x Destroyer
• 015 x Destructor
• 023 x Drivetrain Rifle
• 015 x Electro Gun
• 016 x Electrocutor Gun
• 020 x Eviscerator
• 010 x Firestorm Flamer
• 030 x Grenade Launcher And Shells
• 005 x Handgun Foley
• 010 x Impulse Gun
• 007 x Magnet Gun
• 009 x Magnum Gun
• 014 x Metal Chunker Gun
• 015 x Metal Daddy
• 017 x Mine Machine
• 015 x Mini Bolt
• 018 x Pulse Gun
• 017 x Rail Gun
• 019 x Rebel Bio
• 004 x Rocket Launcher
• 015 x Rocket Launcher Electro Semi Auto
• 018 x Screamer
• 011 x Shotgun
• 015 x Shotgun NL
• 028 x Steam Gun
• 020 x Steamer
• 020 x Thorn
• 012 x Tube Gun
• 025 x Uber God Gun
• 647 x Individual WAVs Files
• 96.1kHz 24-Bit High Quality
• Compatible With All DAWs
• PC & Mac Compatible

……:::::: DEMO/PREViEW ::::::……

INFO/DEMO/BUY: http://mage.si/Ga6Y
Steampunk Weapons WAV-DiSCOVER
http://beelink.in/31997/Steampunk-Weapons-WAV.html

E-MU Orbit Beats CDDA

Team CoBaLT | 06.26.05 | 563.70 MB

The Orbit Beats 2-disc CD Audio Set (.bin, CDDA, WAV) includes 50 fresh, blazing Techno created exclusively using the Orbit soundset from E-MU. A professionally produced, 24-bit recorded, set with complete time and BPM listings. The Emu Orbit is a 32-voice polyphonic, 16-part multitimbral synthesizer with six audio outputs. The 512 preset sounds are not General MIDI-compatible at all, thank goodness. 256 of these preset memory locations are stored in RAM, and so are available for your own edits. The other 256 are permanently stored in ROM and are thus beyond the reach of even the most powerful editor or accidental button-presser. Underpinning these presets are the sound samples; more than 600 wild and wondrous snippets of audio, which definitely do not include soft string sections, tinkly electric pianos, tame percussion and surf washing on a beach.

INFO/HiSTORY: https://mage.si/5sBG
E-MU Orbit Beats CDDA-CoBaLT
http://beelink.in/21996/E-MU-Orbit-Beats-CDDA-CoBaLT.html

The Ultimate R&B Collection: Soul Edition

TEAM MAGNETTRiXX | Aug 2013 | 511 MB

..:: ACiD/WAV, REX, AiFF ::..

‘The Ultimate R&B Collection: Soul Edition’ is the hot new Construction Kit in The Ultimate R&B Collection series that focuses on the modern Soul hit makers. Crafted in the style of Jill Scott, Raheem Devine and more, this set is what you need for that soulful inspiration. The Ultimate R&B Collection: Soul Edition’ features 10 Construction Kits that have all that modern Neo Soul swagg. All files are 100% royalty-free and come in ACID/WAV, Apple Loops and REX format. Mix and match files to create tons of new ideas. The loops are all key and tempo labelled to get you started making hits in a flash.

Details:

• 10 Construction Kits
• 1.15 GB total content
• 100% Royalty-Free
• Key and tempo labelled
• 24-Bit/44.1kHz

Formats:

• ACiD
• Apple Loops
• REX
• WAV

INFO/DEMO/BUY: https://mage.si/rx9Y
Ultimate R&B Collection: Soul Edition ACiD WAV REX AiFF
http://beelink.in/5033/Ultimate-RnB-Collection-Soul-Edition.html

Trap Bandz Vol.2 WAV MiDi FLP

DiSCOVER | 22 SEPTEMBER 2014 | 139 MB

‘Trap Bandz 2’ Is the second installment of popular “Trap Bandz” series. This pack includes five Trap style Construction Kits with hard-hitting 808’s, punchy kicks, Trap brass, bells, strings, pianos, crazy synth melodies, and more. ‘Trap Bandz 2’ has up-to-date Trap sounds and melodies, including MIDI and FLP files, plus every drum hit. Authentic Trap vibe. ‘Trap Bandz 2’ is radio-ready, with all the tools you need to make a Trap hit. Also included are 24-Bit WAV, MIDI and FL Studio files, plus five drum kits. The MIDI and FLP files are included to offer you full flexibility.

Features:
• 5 Construction Kits
• 5 MIDI files
• FLP files

INFO/DEMO/BUY: https://mage.si/o0UN
Trap Bandz Vol.2 WAV MiDi FLP
http://beelink.in/30320/Trap-Bandz-Vol.2-WAV-MiDi-FLP.html

The Official Wrecks Vol.1 KONTAKT

DiSCOVER | 03 DECEMBER 2014 | 1.78 GB

‘The Official Wrecks Kontakt Bank Vol 1’. Wrecks crafted this Kontakt Bank with the intent of catering to producers of all genres. Sitting at over 3GB, this bank comes with 22 high quality sounds. From Leads, Pads, Strings, and Sweeps to Plucks, Arpeggiators, and Swells! Every sound was crafted meticulously by Wrecks to ensure top quality.

INFO/DEMO/BUY: DiSCONTiNUED
The Official Wrecks Vol.1 KONTAKT-DiSCOVER
http://beelink.in/19127/The-Official-Wrecks-Vol.1-KONTAKT.html

Vocal Resynthesis TUTORiAL

MrA | 01 Jan 2016 | MP4 | 369 MB

In this tutorial course show you how to resynthesize vocal samples and turn them into playable instruments for various genres of EDM. You’ll learn how to make the perfect sounds for everything from Future House, Deep House and Melbourne Bounce to Trap, Dubstep and more. Do you dream of having your music played at clubs and festivals around the world? Want to know how to create the types of sounds and samples that make your favourite songs stand out? 8 detailed, walkthrough videos explain and demonstrate specific techniques used by professional DJ’s and artists allowing you to create fresh sounds with ease.

Course Overview:

• PART 1 – Introduction – Welcome and overview of the course material.
• PART 2 – What is Resynthesis – This video goes over the ideas and concepts behind resynthesis and looks at example tracks of the types of sounds we will be making in the tutorial course.
• PART 3 – Logic X Time and Pitch Machine – This is seldom used and an often misunderstood tool in Logic. What can easily be done in Live when it comes to time stretching and pitch shifting requires a little more know how in Logic X.
• PART 4 – Formant Shifts – This video looks at how you can use Formant shifting to create more unique vocal sounds.
• PART 5 – Creating Kontakt Instruments – this in depth look will teach you everything you need to know to create basic custom Kontakt instruments.
• PART6 – Deep House Vocals – This video will demonstrate how to make a Deep House style resynthesized vocal loop.
• PART 7 – Melbourne Bounce – This video will teach you how to make a Kontakt instrument that will play well with Melbourne Bounce and even trap.
• PART 8 – Mangling Audio – In the final video of the tutorial course, we will look at how to create instruments from basic human speech!

INFO/DEMO/BUY: https://mage.si/8u2u
Vocal Resynthesis TUTORiAL-MrA
http://beelink.in/25186/Vocal-Resynthesis-TUTORiAL-MrA.html

Platinum Life WAV MiDi

TEAM MAGNETRiXX | 09 January 2015 | 282 MB

Platinum Life’ is the result of countless hours of hard work in the studio, bringing you five hard-hitting Construction Kits inspired by the biggest names in Urban, Trap and Hip Hop production. You’ll find all of the essential elem…  Drawing influence from the likes of Juicy J, Lil Wayne, Tyga, Big Sean and many others this pack is your go-to tool for creating hit Urban tracks and comes complete with thumping 808s, punchy kicks, snares with reverb and delay, claps, bells, crazy arps, brasses, synths and MIDI files as an added bonus.

Details:
• 5 Multi-tracked Construction Kits
• 24-Bit WAV and MIDI
• All tempos & key signatures included

INFO/DEMO/BUY: https://mage.si/yJmR
Platinum Life WAV MiDi-MAGNETRiXX
http://beelink.in/19637/Platinum-Life-WAV-MiDi.html

The Official Wrecks Drumkit Vol.4

DISCOVER | 03 DECEMBER 2014 | 230 MB

..:: WAV, MiDi, SF2, FST ::..

‘The Official Wrecks Drumkit Vol 4’. As always, Wrecks delivers once again with over 60 carefully engineered one shot sounds. But it doesn’t stop there. Wrecks has also included some really sick Soundfonts as well as bonus preset files for all you FL Users out there! The best Kicks, 808’s, Snares, Claps, Hats, Hits, Stabs, and more!

INFO/DEMO/BUY: DiSCONTiNUED
The Official Wrecks Drumkit Vol.4 WAV MiDi SF2 FST-DISCOVER
http://beelink.in/19110/The-Official-Wrecks-Drumkit-Vol.4.html

LASS First Chair 2.0 KONTAKT

TEAM MAGNETRiXX | 04 January 2014 | 1.15 GB

We are proud to announce LASS First Chair 2 (LASS FC 2), one of the 2 reduced sound sets of LASS Full 2‘s library. LASS FC 2 features solo instruments performed by the section leaders. Rather than sounding like “guest soloists,” these instruments sound like the first chair players they actually are, blending perfectly with the sections they came from. While LASS FC 2 does not include LASS Full 2′s ARC (AB Remote Control), all of LASS FC 2′s patches are the same as LASS Full’s “First Chair” patches… with the exception of not including LASS Full’s Stage and Color features. However, we did add a taste of our new Color technology to LASS FC 2. There is a new “Color” button that lets you use our Bat Man Color profile. Pre-programmed Multis are included so you can simply load them up and play!!

Here are some new features the LASS 2 update includes (LASS Lite 2 and FC 2’s features are in green — LASS Full 2 has all the features):

• •New exclusive reverb Impulse Responses. We’ve included a single Color Profile (Bat Man) from LASS Full 2 that you can enjoy. Pre-built Multis are already set up for you.
• •Legato Tremolo patches
• •Legato Trill patches
• •Micro Tuning and real-time performance of tuning.
• •A CC Attenuation knob that allows on to ride CC attenuation in real-time or after-the-fact for added dynamic control.
• •A new User Interface that is easier to read and more pleasurable to look at.
• •New Master Patches that consolidated articulation options that would have previously been on multiple patches.
• •Stage and Color – At the heart of Stage & Color is a collection of exclusive orchestral sound profiles (colors) inspired by famous movie scores and recordings. Now, at the push of a button, LASS can adopt the tonal characteristics of some of the most coveted scores and recordings.
• •A new ARC (AB Remote Control) master script that will allow for dramatically easier control of all sections and divisis from a single window.
• •Reverb and width controls of multiple patches from within the ARC.
• •ART programming of multiple patches from within the ARC.
• •CC Table control of multiple patches from within the ARC.
• •Auto Arranger control of multiple patches from within the ARC.
• •A new Key Switching approach of multiple patches from within the ARC.
• •Aleatoric (string effects) patches
• •A drastically reduced footprint of only about 18Gb due to the inclusion of NI’s NCW (loss-less compression audio file format) files. We include the 24 bit files since it will be about 30% less taxing on your hard drive than a 24 .wav file. We noticed no measurable CPU hit using the NCW files… and we did a lot of testing.
• •Many other new features and improvements

The main difference between LASS FC 2 and the full version is that LASS FC 2 does not contain the Divisi Sections or the Full mix patches or the ARC (AB Remote Control — a LASS Full 2.0 feature only). The chart below shows what patches and articulations come with LASS FC 2. All the “blue” patches come with LASS Lite 2 (the “green” are for LASS FC 2 and everything else is included in the full version of LASS).

LASS FC 2 is a Kontakt based sample library and runs on Kontakt 5.02 or Kontakt Player 5.02. Kontakt Player 5 is available as a free download from Native Instruments’ website.

Whats the difference between LASS FC 2 and LASS FULL 2 ?
While LASS FC 2 offers you first chair (solo) patches, it does not contain the divisi ensemble patches or the “Full Mix” patches. Nor does it include the ARC (AB Remote Control) which is a LASS Full 2.0 feature only. However, the patches included in LASS Lite work exactly the same way as the same patches in the full version of LASS (minus the ARC)… there is no difference in the patch functionality. You still get the great ART script and Auto Arranger script and every other script that comes with the full version of LASS… just not the divisi or first chair patches or the Stage & Color feature.

INFO/DEMO/BUY: https://mage.si/BrS5
LASS First Chair 2.0 KONTAKT
http://beelink.in/11789/LASS-First-Chair-2.0-KONTAKT.html

Yamaha S90 ES v1.6 KONTAKT

P2P | 26 August 2018 | 1.22 GB

14 patches of Yamaha S90 ES carefully sampled using the mLan16 output (Digital FireWire) Display with Voice and Dual Voice preset, with independent volume control. You can switch between the patches without cut audio. If you save the instrument it will retain the last settings you’ve done.

Yamaha S90 ES:
•Natural S
•Elegant S
•Bright S
•Dark S
•Intimate
•DigiGrand
•Full Grand
•PianoBack
•Piano&Str
•BalladKey
•E Piano 2
•TX802
•Yama EP’s
•ChorusDyno

Pads:
•Analog, Light Pad, VP Soft, VP Strings

INFO/DEMO/BUY: DiSCONTiNUED
Yamaha S90 ES v1.6 KONTAKT
http://beelink.in/37334/Yamaha-S90-ES-v1.6-KONTAKT.html

SPAN Plus v1.10.0 WiN MAC

Team R2R | Feb 25 2020 | WiN: 7.7 MB | OSX: 19 MB

…::: AU, AAX, VST, VST3, x86, x64 :::…

SPAN Plus is a real-time “fast Fourier transform” audio spectrum analyzer plug-in for professional music and audio production applications. For the most part it was derived from GlissEQ dynamic parametric equalizer and reproduces its spectrum analysis functionality. SPAN Plus is an extended version of the freeware SPAN plug-in: SPAN Plus provides several additional features such as PNG file export, real-time spectrum import/export and static spectrums display. SPAN Plus provides you with a very flexible “mode” system which you can use to setup your spectrum analyzer preferences. You may specify Fourier block size in samples, FFT window overlap percentage, spectrum’s visual slope. Beside that you can choose to display secondary spectrum of a desired type (e.g. real-time maximum, all-time maximum). Spectrum can be smoothed out visually for an easier examination.

SPAN Plus supports multi-channel analysis and can be set to display spectrums from two different channels or channel groups at the same time. Spectrum’s color can be chosen to taste. SPAN Plus also features output level metering with adjustable ballistics and integration time, K-metering (including calibration K-metering). SPAN Plus displays level metering statistics, headroom estimation and clipping detection. Correlation metering is available as well

SPAN Plus features:
– Real-time spectrum import/export
– PNG file export
– Static spectrums display
– Output signal power statistics
– Spectrum smoothing
– User interface window resizing
– Clipping statistics
– Correlation meter
– K-metering
– Stereo and multi-channel analysis
– Mid/side analysis
– Internal channel routing
– Channel grouping
– Preset manager
– Undo/redo history
– A/B comparisons
– Contextual hint messages
– All sample rates support
– Retina and HighDPI support

Version 1.10 includes the following changes:
– Added the preset list sorting function to the preset manager.
– Added the “True Peak/Sample Peak” switch.
– Redesigned the knob image.
– Extended the “Color Editor” with color modifiers.
– Added the “Gray Blue” color scheme.

INFO/DEMO/BUY: http://mage.si/E9q1
SPAN Plus v1.10.0 WiN MAC-R2R
http://beelink.in/17770/SPAN-Plus-v1.10.0-WiN-MAC-R2R.html

Comp76 v2.0.1 WiN MAC

Team R2R | 25.09.2018 | WiN: 229 MB | MAC: 267 MB

Comp76 FET Compressor-Limiter

( AU, AAX*, VST3, VST, x86, x64.)

The revolutionary simulation of legendary fet compressor-limiter beyond the hardware.

Comp76 is the ultimate tool for professional engineers who mix with no compromises:

• Hyper-realistic simulation of the original unit thanks to the 4th generation dsp technology
• Built-in Parallel Compression
• Built-in Mid-Side Processing
• Sidechain processing
• Simulation of all transformers in the original unit
• Emulates the original All-buttons-in mode
• Low cpu usage (more than 1000 instances on a Macbook Pro Retina)
• Lots of presets designed in real mixing sessions

NEW in v2!
– Three revisions in one plugin!
– Built-in Mid-Side Processing
– Built-in Parallel Compression
– NEW in v2! Low frequency sensitivity control
– NEW in v2! Harmonics amount control
– NEW in v2! Oversample control, including ultra-oversampling mode
– Hyper-realistic simulation of the original unit thanks to the 4th generation dsp technology
– Simulation of all transformers in the original unit
– Emulates the original All-buttons-in mode
– Low cpu usage (more than 1000 instances on a Macbook Pro Retina)
– Lots of presets designed in real mixing sessions
– Scribble Strips: take notes anywhere on the plugin panel
– Meter Calibration: calibrate the VU meters at 5 different sensibilities

INFO/DEMO/BUY: http://mage.si/ppjN
Comp76 v2.0.1 AAX AU VST VST3 x86 x64 WiN MAC-R2R
http://beelink.in/34107/Comp76-v2.0.1-WiN-MAC-R2R.html

Mixbus32C v6.0.0 WiN

Team R2R | Feb 25 2020 | 99 MB

Dynamic Maturity / Contemporary Mixing

Respect of the Aged Day

Mixbus32C is as relevant today as the first 32 series consoles were 40 years ago. H Consoles are dynamically mature products – products that retain the benefits of long, successful experience while incorporating the best of all the new technology. Mixbus32C is designed in the most operationally ergonomic manner possible. Mixbus was hailed by the industry as a breakthrough for “in the box” mixing by incorporating decades of console building experience into a cost effective mixing platform for today. Mixbus32C takes that concept to the natural next step by using the full resources of today’s technological advancements to precisely emulate not only the operational advantages, but to faithfully emulate the analog performance of the traditional analog console.

Operational Advantages
Because of the way the Mixbus32C mixer page is laid out, the most commonly used controls are displayed and are accessible at all times using a rich, high contrast, GUI design that gracefully and accurately emulates the original hardware version of the 32C console. This traditional layout not only looks good but allows the engineer to approach the console as if it were a musical instrument, directly affecting the art of mixing and contributing greatly to the success of any given mix.

Analog Performance
Pioneered the use of high performance computer technology over the last 20 years to provide unmatched processing power in the world’s largest mixing environments. By keeping up with these incremental technological steps through the decades, can now faithfully emulate the beautifully designed analog signal processing designs of the past and incorporate them into a full function “True Analog” mixing console within the digital audio workstation environment.

More Equalization
Each Mixbus32C channel strip incorporates an exact emulation of the original 32C parametric four-band sweepable EQ with a separately switchable filter section including second order high-pass and low-pass filters. Every resistor, capacitor, and transistor was modeled. To run this complex DSP on every channel strip was impossible just 5 years ago.

More Buses
Mixbus32C provides 12 stereo mix buses, each with individual level control, latency compensation, and associated master channel incorporating the highly successful tape saturation, bus compression, and tone control functionality.

INFO/DEMO/BUY: http://mage.si/zjMU
Mixbus32C v6.0.0 WiN-R2R
http://beelink.in/27380/Mixbus32C-v6.0.0-WiN-R2R.html

Slap Bass v1.1 WiN MAC

TALULA | 25 February 2020 | MAC: 9.57 GB | WiN: 6.36 GB

Slap Bass was sampled from a Fender Jazz electric bass guitar with Carvin J99 pickups and DR Hi-Beam bass strings directly into a Radial Pro48 DI Box. An extended range was obtained by tuning the E-string all the way down to a C. The low B (B0) of a standard 5-string bass was omitted do to “floppiness” from down-tuning. “Slap” and “pop” articulations were carefully and meticulously recorded for each note, although in the extreme upper range of the bass, do to tension of the string, normal notes starts to become indistinguishable from a pop articulations. Regular notes were recorded with a guitar pick, in order to maintain a semi-percussive and metallic sound.

Regular pick notes were recorded in 5 note round-robin with 4 velocity layers. The velocity layers themselves don’t have much of a dynamic range (between -7 -1 dB), as bass guitars are typically compressed signals that end up somewhat level in modern recordings. Slap articulations are 5 turn round-robin, but exist as one velocity layer. The decision was made to simply pick the best representations of a slap or pop sound, rather than mix in many different sounds, in order to achieve a “better” sounding vst instrument as opposed to a more “realistic” one.

Bass strings were periodically cleaned with denatured alcohol, as the metallic Hi-Beam sound tends to darken rather quickly. Pains were taken to ensure that the transition in tone between strings was minimized by selecting the best places to start sampling a new string. One octave of harmonics was achieved by selecting the best harmonic tones and tuning/detuning strings around these notes, thus it would be impossible to recreate these harmonics on a standard-tuned bass, but they do sound cool.

Slides were recorded for most strings, but were ommited for things like open strings, or when sliding down or up would overshoot standard tuning. Major Thirds and Perfect Fifths were chosen for the sake of usability. Slides were recorded at a tempo of 120 BPM.

Release v2.2 1/10/2020
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Improvements since last version:
– *Mac Au/VST versions now conform to OS X Catalina code signing and notarization requirements.
– *Mac versions are now installed via package installers.
– *Resources for Mac versions and a config file are now placed outside of the vst and component bundles. This is because Apple wants things code-signed now: verifying resources in a bundle would – take too long and the config can’t be inside because it would invalidate the code signature. If you don’t like it, complain to Apple!
– *Maintaining separate legacy (32-bit) Mac versions for those who need them (OS X 10.9-10.14)

INFO/DEMO/BUY: http://redi.se/3bx4
Slap Bass v2.2 AAX AU VSTi WiN MAC
https://thuglink.com/get/JNrQoM15ET