UpStereo Pro v2.0.0d AU VST x86 x64 WiN MAC

TEAM R2R | 13.12.2015 | WiN: 3.99 MB | MAC: 2.78 MB

This plug-in uses unique technology for stereo enhancement. Unlike traditional techniques that can introduce phasing and inversion effects. UpStereo Pro uses spectral processing and is engineered to shift actual pan locations of sound around the stereo field. The punch and sizzle parameters finely control the transient attack and intensity of bass and top end. The equaliser fine tunes your mix with easy to control spline editing, and uses linear processing to ensure the sharpest and cleanest results. The shape control replaces the ‘Loud’ button of the old UpStereo with smooth adjustments from subtle to exteme and distorted.

Features:

• * Stretches stereo width without using traditional phase techniques.
• * Unique technology that stretches sound locations toward the stereo extremes, keeping central sounds intact.
• * Punch control for enhancing or dampening initial bass or kick sounds.
• * Sizzle parameter for giving high end transients a fizz and sparkle.
• * Linear equaliser with 16 point spline editing.
• * Waveshaper with extreme settings.
• * Full linear processing.
• * On screen information panels for each of the controls.
• * 64 & 32 bit versions in VST and AU formats

Update for UpStereo Pro to version 2.0
* Features a new core engine, with better quality and half the latency.
* Increases stereo edge sounds without slurring transients.
* New visual indicators for bass and harsh top end.
* New overall linear EQ gain for making either very subtle or massive changes.

INFO/DEMO: http://redi.se/dbh
QuikQuak UpStereo Pro v2.0.0d AU VST x86 x64 WiN MAC-R2R
http://beelink.in/12898/UpStereo-Pro-v2.0.0d-AU-VST-x86-x64-WiN-MAC.html

T-RackS CS Complete v4.9.0 WiN MAC

TEAM R2R | 14.12.2015 | WiN: 180.1 MB | MAC: 242.5 MB

World-class mixing and mastering plug-ins – on demand

Close your eyes and picture a store full of cool processing gear: compressors and limiters are in a rack over here, EQs are over there tube, solid state, digital you name it, this stores got it all. There are reverbs, de-essers, multiband processors, and a shelf full of vintage emulations. In short, a candy store of tone for recording musicians, engineers, and producers. Just a gear geeks fantasy? Nope, this store is very real, and its available to you 24/7. Its the new T-RackS Custom Shop, where you can browse a huge collection of IKs high-quality processing plug-ins for mixing and mastering, and purchase only the ones you want, when you want them. And the best part is, you can get started without spending a dime by downloading T-RackS Custom Shop.

Features
– Free version of T-RackS including the Custom Shop, Classic T-RackS Equalizer and Metering Suite
– Custom Shop functionality lets you purchase additional modules from inside the program
– T-RackS shell allows for chaining of up to 12 processors
– Complete integration with the AmpliTube Custom Shop
– Standalone integration with ARC System 2 processing
– All processors available as individual plug-ins
– 64-bit native support
– 32-bit 192 kHz support
– 32- & 64-bit AAX Compatibility. Will run in Pro Tools 11, and under AAX in Pro Tools 10
– High-fidelity oversampling for high-quality audio processing through the entire signal path
– SCC technology coupled with IKs unique DSM technology provides the most realistic software emulation of vintage gear to date
– Extremely easy to use, with style-based presets, full chain visualization, one-click single module or chain bypass, compare function and more

What’s new
– New Mic Room module now available for purchase in T-RackS Custom Shop and IK online store
– All modules can be purchased using Gear Credits (Custom Shop) or regular currency (Custom Shop/IK online store)
– 14 days unrestricted trial period
– Custom Shop can be launched by each single module within the DAW
– New product pages for quick and easy reference on each module

INFO/DEMO: http://redi.se/b04
T-RackS CS Complete v4.9.0 WiN MAC-R2R
http://beelink.in/17569/T-RackS-CS-Complete-v4.9.0-WiN-MAC-R2R.html

BreakTweaker v1.02 VST VST3 RTAS STANDALONE WiN

TEAM R2R | 14.12.2015 | 487.60 MB

BreakTweaker is the beat machine of the future. Powered by three distinct modules, the Sequencer, the Generator, and the MicroEdit Engine, it’s a wildly creative rhythmic instrument that can be used with any DAW and MIDI controller. For instant gratification, get started with the diverse presets and content in the Factory Library, a showcase of BreakTweaker’s breadth and sonic capabilities. When you want to get deeper, forge new sonic weaponry with BreakTweaker’s paradise of tweaky controls and settings.

INFO/DEMO: http://redi.se/df8
iZ BreakTweaker v1.02 VST VST3 RTAS STANDALONE Incl Emulator WiN-R2R
http://beelink.in/13360/iZ-BreakTweaker-v1.02-Incl.-Emulator-WiN.html

iZ Insight v1.04 Incl Emulator WiN

TEAM R2R | 14.12.2015 | 28.2 MB

Insight is an essential metering suite for post production and broadcast applications. With a comprehensive suite of audio analysis and metering tools, Insight is perfect for visualizing changes made during mixing and mastering, troubleshooting problematic mixes, and ensuring compliance with broadcast loudness standards.

INFO/DEMO: http://redi.se/b9p
iZ Insight v1.04 Incl Emulator WiN-R2R
http://beelink.in/11342/iZ-Insight-v1.04-Incl-Emulator-WiN-R2R.html

iZ Iris 2 v2.02 VST VST3 RTAS STANDALONE WiN

TEAM R2R | 14.12.2015 | 347.80 MB

Create and discover musical sounds that have never been heard before. An inspiring sample-based synthesizer, Iris 2 is immediately playable—combining the power of a sampler, the flexibility of a modular synth, and the fun of spectral filtering. Get started fast by selecting from hundreds of expertly crafted Bass, Keys, Leads, Pads, and Rhythmic patches. Then customize or build your own patches with an 11 GB factory library of intriguing audio samples, a modern modulation system, classic filters, evocative effects, and more. Explore a new world of musical possibilities with Iris 2.

Key Highlights

• Explore a world of sound: Load one of hundreds of fresh and inspiring patches, and easily experiment with the most relevant parameters via Macro controls.
• Build your own synth: Invent sounds that are completely your own by layering up to four different samples from a built-in collection of analog oscillator waveforms, an 11 GB sample library, or your own personal audio files.
• Design your own filters: Get the best-sounding and most unique filters by drawing, selecting, and isolating sonic components from each sample layer using iZ award-winning spectral filtering technology.
• Shape your own sound: Develop expressive, dynamic, and evolving musical sounds with the powerful and flexible new modulation system. Access every control from one window, or reveal only what you need with a dynamic new user interface.

INFO/DEMO: http://redi.se/32av
iZ Iris 2 v2.02 VST VST3 RTAS STANDALONE Incl Emulator WiN-R2R
http://beelink.in/18907/iZ-Iris-2-v2.02-VST-VST3 -RTAS-STANDALONE-Incl-Emulator-WiN-R2R.html

iZ NECTAR v2.03 Production Suite WiN

TEAM R2R | 14.12.2015 | 61.10 MB

Incl. Emulator

Flawless vocal production is just a click away. From quick corrections to limitless creativity, Nectar 2 treats your voice to sweet results.
Bring a vocal track to life with the only complete set of tools designed specifically for voice. Add impact with modeled plate reverb, harmonic saturation, and a wealth of creative effects. Stay in tune and remove distracting breaths without tedious, time-consuming editing. Instantly transform a single vocal take into a dynamic, harmonized ensemble. Whether you’re tracking or you’re mixing, Nectar 2 delivers professional vocals in an instant.

KEY FEATURES

• Explore 11 powerful tools in one plug-in: Harmony, Plate Reverb, FX, Pitch, Delay, De-Esser, Saturation, Compressors, Gate, EQ, and Limiter.
• Get smooth, pitch-perfect takes quickly with dedicated Pitch Editor and Breath Control plug-ins in the Nectar 2 Production Suite.
• Finesse your sound with surgical detail using powerful advanced controls.
• Improve vocal production at all stages, from tracking through mixing.
• Rapidly audition different vocal sounds with 150+ presets, in a variety of genres from classic to modern.

INFO/DEMO: http://redi.se/ed5
iZ NECTAR v2.03 Production Suite WiN Incl.Emulator-R2R
http://beelink.in/14372/iZ-NECTAR-v2.03-Production-Suite-WiN.html

iZ RX Final Mix v1.02 RTAS VST VST3 x86 x64 WiN

TEAM R2R | 14.12.2015 | 40.0 MB

Incl. Emulator

RX Final Mix is a real-time plug-in for controlling your peaks and giving your mixes and sub-mixes a smooth sonic balance. The newest member of the RX family of post production tools, RX Final Mix plug-in is built specifically for audio post production professionals and video editors. The Dynamic EQ and True Peak limiter are optimized with intelligent DSP for both maximum sound quality and True Peak compliance with the latest loudness standards (BS.1770-2/3, EBU R128, etc.). This processing delivers reactive, program-dependent, and more transparent mix results, giving you loud and impactful mixes with on-spec True Peak levels. Ensure clearer dialogue, maximum sonic impact, and more accurate mix compliance with RX Final Mix!

Equalizer
The Dynamic EQ feature of the Equalizer module is essentially an EQ with the ballistics of a compressor. You can control Gain, Frequency, Q, and the shape of the up to eight nodes. Surround sound, program-dependent EQ provides intelligent dynamic control over EQ adjustments. Each node can operate in a dynamic mode, in which the shape and depth of the EQ curve will change and adapt in response to the audio it’s adjusting. This allows an EQ adjustment to behave differently in different scenarios—for example a large explosion, a sudden gunshot, or a dialogue sibilance reduction.

A user-definable threshold sets the point at which the dynamic ballistics begin to kick in. The incoming frequencies located at the EQ node/band is used to trigger the amount of EQ applied. The further it falls above or below the threshold, the greater the adjustment will be. The attack and release times for the trajectory of this dynamic behavior scale in accordance to the type of audio passing through. For example, it will react differently to a sibilant dialogue area as it would a low-frequency LFE burst.

Accentuate sections of the spectrum with the Dynamic EQ – Expand mode. For example, add more impact to effects like explosions with a dynamic low shelf. When the amount of low-end energy hits the defined Threshold, the shelf can boost. But when the amount of energy is below the Threshold, the low shelf isn’t touching the mix.

Limiter
Three user-definable characters (Clear, Smooth, Thick) allow for more direct control over the adaptive, transparent nature of the limiting algorithm, which is tuned specifically for post production type audio. The True Peak, BS.1770-⅔ compliant limiter provides intelligent digital loudness maximization of the signal, while ensuring there are no True Peak overflows to keep your mixes compliant to delivery specs.

The processor is designed for neutral or transparent limiting. It does so by analyzing the incoming source material and leveraging a psycho-acoustically pleasing algorithm, reacting quickly to transients and reacting more slowly to steady, lower frequency tones. In doing so, it is optimized to preserve transients and present them more clearly in the output signal, even when aggressive limiting is taking place.

Stem and Master Bus Processing
RX Final Mix provides up to 7.1 surround support with control over LFE channel processing, for use on both stems and master busses. If you’re delivering discrete stems, you may wish to use the frequency control and True Peak limiting of RX Final Mix on those stems. However, when using RX Final Mix on your master bus, this post-stem processing will change the relationship between the stems and the master, meaning that the stems sum will no longer equal the mix. As such, we’d recommend not using RX Final Mix on the master bus if you’re delivering stems. If you’re delivering a final stereo or surround mix without stems, RX Final Mix contains specific master bus presets designed to prepare your mix for optimum sound quality, and even specific playback scenarios such as video streaming.

INFO/DEMO: http://redi.se/3748
iZ RX Final Mix v1.02 RTAS VST VST3 x86 x64 WiN-R2R
http://beelink.in/22638/iZ-RX-Final-Mix-v1.02-RTAS-VST-VST3-x86-x64-WiN-R2R.html

iZ Trash v2.04 AAX VST DXi x86 x64 WiN

TEAM R2R | 14.12.2015 | 30.8 MB

Incl. Emulator

Trash 2 takes the best of Trash and makes it even better. With an entirely new sonic architecture, brand new features, optimized performance, better sound quality, and support for modern hosts and formats, Trash 2 is primed for a powerful new era of audio mangling, distortion, and experimentation. Let sonic mayhem ensue.

KEY FEATURES

• Distort in ways you never dreamed with the Trash module’s 60+ distortion algorithms, perfect for transforming your sound into something never before heard.
• Design your own unique distortions, from massive to mild and everything in between, with a new, customizable, multiband Waveshaper.
• Let your tracks inhabit any space or object with the new Convolve module. Choose from over 100 impulse responses or load your own to put your bass in a washing machine or your keys in a cave.
• Find a new voice: make your audio speak and growl with two redesigned Filter modules, each one featuring new vowel formant filters, screaming peaks, node modulations, and more.
• Start trashing your audio immediately with an extensive new preset library and an ear-friendly Limiter that ensures you can play without fear.

INFO/DEMO: https://goo.gl/el2YYt
iZ Trash v2.04 AAX VST DXi x86 x64 WiN-R2R
http://beelink.in/10188/iZ-Trash-v2.04-AAX-VST-DXi-x86-x64-WiN-R2R.html

Blue Cats PatchWork v1.71 VST RTAS WiN MAC

TEAM R2R | 14.12.2015 | WiN: 85.6 MB | MAC: 120.3 MB

Blue Cat’s PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.

For each plug-in slot, latency compensation, presets management, undo/redo integration, and individual plug-in bypass are included for optimal operation. The plug-in also stores the position of the window for each plug-in so that the layout is restored with your session or saved with presets.

The plug-in is available as an audio effect or a virtual instrument so that it can be inserted on any type of track, with up to 8 audio channels.

Input and output level meters are also included to monitor the signal that is dispatched to inserted plug-ins.

INFO/DEMO: http://redi.se/bst
Blue Cats PatchWork v1.71 VST RTAS WiN MAC-R2R
http://beelink.in/16453/PatchWork-v1.71-VST-RTAS-WiN-MAC-R2R.html

Pro-C v2.0.0 AU VST VST3 x86 x64 WiN MAC

TEAM R2R | 14.12.2015 | WiN: 11.39 MB | MAC: 4.79 MB

Pro-C is a compressor plug-in offering high-quality sound, flexible routing and side-chain options, and various program dependent compression styles with an innovative user interface and animated level display making compression easy to grasp for everyone. Suitable for a wide range of compression purposes, Pro-C offers three compressor styles: Clean, Classic and Opto. Each style uses different custom algorithms, knee curves and compressor topologies (feedback or feed-forward), all carefully selected and fine-tuned after thorough research and development. All styles use 64-bit internal processing and guarantee zero latency throughput.

Key Features:

• Three different compressor styles.
• Program dependent attack and release curves.
• Very fast attack times.
• Soft- and hard-knee option.
• Zero latency, click-free 64-bit internal processing.
• Auto Gain option.
• Auto Release option.
• Large input, output, and gain change meters with different scale settings.
• Animated compression level display with customizable curves.
• Active transfer function display.
• External side chain.
• 48 dB/oct HP and LP side chain filtering.
• Mid/Side processing.
• Flexible channel linking and routing.
• Stereo and mono plug-ins available.
• MIDI Learn.
• Smart Parameter Interpolation.
• Sample-accurate automation of all parameters.
• Extensive help file with interactive help hints.

Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style

Everything you need
Pro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there’s more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface.

Beautiful interface and optimized workflow
The fully redesigned interface in Pro-C 2 offers insightful metering with real-time displays that will greatly improve workflow. The large animated level/knee display visualizes exactly when, why and how compression is applied to incoming audio. Accurate level meters show the exact peak and loudness values, while the circular side-chain input meter turns finding the perfect threshold setting into a trivial task. And the large side-chain EQ controller makes it easier than ever to filter the trigger signal any way you like

INFO/DEMO: http://goo.gl/OzMtMb
Pro-C v2.0.0 AU VST VST3 x86 x64 WiN MAC-R2R
http://beelink.in/23828/Pro-C-v2.0.0-AU-VST-VST3-x86-x64-WiN-MAC-R2R.html

LinPlug Spectral v1.3.0 MAC OSX

Team R2R | 14.12.2015 |  27.03 MB

Our new top of the line synthesizer, the LinPlug Spectral. 14 years of synthesizer building experience. Estimated release is Autumn 2013. If you are familiar with subtractive synthesis, you will feel right at home with the Spectral, because you can choose a waveform, choose a filter and go on. But Spectral delivers far more options than you would expect from the well sorted user interface. The unique audio engine under the hood is capable of delivering many sounds never heard before. Right now we work with our sound designers on the factory library and finalize.

System Specs:
– A Mac or PC with at least an Intel core i3, i5, i7 or equivalent CPU and about 180 Mb RAM per Spectral instance
– An AU or VST capable DAW, 32 or 64 bit, like Logic, Cubase, Live, Orion, Studio One, Reaper, FL Studio etc
– A Screen resolution of 1280 x 800 or better
– Mac OSX 10.6 and newer or Windows XP and newer

INFO/DEMO: http://redi.se/h5v
LinPlug Spectral v1.3.0 AU VST VSTi MAC OSX-R2R
http://beelink.in/17609/LinPlug-Spectral-v1.3.0-AU-VST-VSTi-MAC-OSX-R2R.html

LinPlug Spectral v1.3.1 WiN

TEAM R2R | 14.12.2015 | 29.76 MB

Our new top of the line synthesizer, the LinPlug Spectral. 14 years of synthesizer building experience. Estimated release is Autumn 2013. If you are familiar with subtractive synthesis, you will feel right at home with the Spectral, because you can choose a waveform, choose a filter and go on. But Spectral delivers far more options than you would expect from the well sorted user interface. The unique audio engine under the hood is capable of delivering many sounds never heard before. Right now we work with our sound designers on the factory library and finalize.

System Specs:
– A Mac or PC with at least an Intel core i3, i5, i7 or equivalent CPU and about 180 Mb RAM per Spectral instance
– An AU or VST capable DAW, 32 or 64 bit, like Logic, Cubase, Live, Orion, Studio One, Reaper, FL Studio etc
– A Screen resolution of 1280 x 800 or better
– Mac OSX 10.6 and newer or Windows XP and newer

INFO/DEMO: http://redi.se/h5v
LinPlug Spectral v1.3.1 VSTi x86 x64 WiN-R2R
http://beelink.in/23525/LinPlug-Spectral-v1.3.1-VSTi-x86-x64-WiN-R2R.html

X50 v2.4.0 AU VST WiN MAC

TEAM R2R | 14.12.2015 | WiN: 88.68 MB | MAC: 141.54 MB

TSE X50 version 2.0 is a complete suite for a quick guitar tone setup for rock and metal. It’s using one of the most advanced modeling algorithms presented in a commercial plugin to this date, offering a real-time simulation of the electrical network in the stompbox/amp with acceptable cpu usage for modern processors.

This is our new flagship TSE model, taken to the next level of realism!

• – Windows Supported – 32/64bit VST – Vista or newer
• – OS X Supported – 64bit AU/VST – OSX 10.7 or higher
• – TSE808 – Our very popular screamer emulation now updated with improved even-harmonics etc.
• – TSE X50 v2.0 – Hi-gain amplifier, completely re-modeled with new interconnecting algorithms!
• – RACK – Tuner / Delay / Equalizer – Essential tools for getting that quick, good tone.
• – Power Tubes – Select between using 6L6GC or EL34 pentode models.
• – BIAS – Use the bias control to set the operating-point that suits you most. (Power Amp)
• – Oversampling – Oversampling from to 2X to 8X + Automatic oversampling from 2X to 4X / 4X to 8X
• – Input Learn – Set your input-gain to a preferred setpoint automatically.
• – Lower cpu usage.
• – Zero-latency IR-loader with adjustable IR length.
• – IR Analyzer – Compare IR length vs frequency in a graphical way!
• – User IR Directory – Point X50 to your own IR collection
• – Movement Control – Poweramp to speaker emulation including your favorite IR into it’s process.
• – Gate – A custom noise gate with adjustable Threshold / Attack / Release.
• – DaFuk Tuner – High precision tuner for low-tuned guitars.
• – King-Pong – Pong and asymmetric stereo delay.
• – Aqualaser – Equalizer with HP/LP, Lowshelf/Highshelf, peakfilter
• – Zero-latency and topology preserving modeling throughout the entire signal chain.
• – Included IR’s from Frozen Sun Audio, Trackmix Studio, GuitarHack, and Ryan Harvey Audio

INFO/DEMO: http://redi.se/dyp
X50 v2.4.0 AU VST WiN MAC-R2R
http://beelink.in/13681/X50-v2.4.0-AU-VST-WiN-MAC-R2R.html

G8 Dynamic Gate v1.2.0 AU VST WiN MAC

TEAM R2R | 14.12.2015 | WiN: 8.73 MB |  MAC: 4.81 MB

G8 is a high-quality noise gate with many tricks up its sleeve. It is both a professional dynamics workstation and an experimental amplitude effect. Use it for noise reduction, AM/granular synthesis, bouncing ball rhythm programming, tremolo, trajectory panning, transient shaping, and much, much more.

Features

• “Cycle” and “One-shot” gating modes give you the ability to use G8 as a stutter effect, an AM/granular effect, or a tremolo.
• Customizable MIDI inputs and outputs allow you to trigger G8 from MIDI clips or to synchronize instruments to G8 for drum replacement or groove extraction. Combined with G8’s alternative gating modes, you can create intricate rhythms, bouncing ball effects, or MIDI clips with granular trigger patterns. Synchronize two instances of G8 over MIDI for the ultimate customizable sidechain.
• “Reject” Outputs allow you to hear the audio that gets blocked by the gate. Use this innovative feature to create amplitude-dependent effect chains.
  “Flip mode” swaps the regular outputs with the Reject Outputs. Use G8 as a strange compressor, or remove grains from your audio.
• Expert Mode contains an advanced routing, amplitude, and filtering matrix for each channel, as well as individual input monitors for up to 4 channels. Use this to clean up the analysis input with even more precision, or to create unpredictable gating polyrhythms.
• Sidechain support (in select hosts, please see the compatibility list for more information).
• Independent Analysis Gain and Output Gain controls eliminate the frustration of balancing your mix with your ideal analysis level.
• RMS and Peak style metering selection ensures that you will always have the right tool for the job.
• Lookahead control with accurate latency reporting to the host.
• Wet/Dry control for parallel gating, compression, or expansion. The dry signal is latency-compensated to prevent any unwanted phase issues.
• Variable Reduction controls the depth of the gating, from full silence to barely-there disturbances.
• Hysteresis and Hold parameters to prevent “chatter” or unwanted dropouts.
• Locking modes allow you to keep specific parameters frozen on preset change.

INFO/DEMO: http://redi.se/32ky
G8 Dynamic Gate v1.2.0 AU VST WiN MAC-R2R
http://beelink.in/19081/G8-Dynamic-Gate-v1.2.0-AU-VST-WiN-MAC-R2R.html

Universal Piper v3.0.5-v3.0.6 WiN MAC

TEAM R2R | 14.12.2015 | WiN: 222.48 MB | MAC: 130.83 MB

AU VST VSTi STANDALONE

Universal Piper is a new instrument that aims at faithfully reproducing the sound and the playing sensation of bagpipes of any types. The idea of this new instrument emerged facing the limitations encountered with a real bagpipe while composing, rehearsing or playing on stage, especially with other tempered instruments (guitar, piano).

This new instrument is composed of two parts:
– A software with a genuine and high quality sound generation
– An electronic chanter (under development) which will capture the piper’s play and pilots the software to trigger the corresponding notes.

INFO/DEMO: http://redi.se/3aj2
Universal Piper v3.0.5-v3.0.6 AU VST VSTi STANDALONE WiN MAC-R2R
http://beelink.in/18556/Universal-Piper-v3.0.5-v3.0.6-AU-VST-VSTi-STANDALONE-WiN-MAC-R2R.html

Lowender v1.4 VST WiN

TEAM R2R | 14.12.2015 | 3.88 MB

The Lowender plug-in is a subharmonic synthesizer reminiscent of classic analog dual-band bass enhancer circuits. More than a simple EQ, the Lowender creates new bass content from your existing audio material. From post-production houses to disco floors, from high-powered live sound to rock, dub, and metal studio productions, the characteristic rumble of the subharmonic synthesizer has been an engineer’s best-kept secret for years. Now, finally, you can get those low lows from within your favorite DAW application!.

While taking the classic “Boom Box” sound as its core, the Lowender expands on the concept in several ways. First, it offers switchable frequency ranges, so that the low end frequencies generated can be selected to fit the program material.

Second, the generated subharmonics pass through a gate tailored for low frequencies, which is useful for cleaning up unwanted bass rumble (e.g. from between kick drum hits in a drum loop).

Third, the Lowender passes the bass material through an output section comprised of an overdrive circuit and a lowpass filter. Driving or compressing the newly generated low frequencies is essential for evening out their dynamics, and will allow them to sit well in a mix. The variable lowpass filter is provided to shave off the higher harmonics of the overdrive and create a smooth low end – or you can leave some of them in, for raspier bass sounds.

Features:

• * Gate, drive, and output filter controls
• * Operates in three different frequency ranges to match program material
• * Analog modeling – no FFT shenanigan

INFO/DEMO: http://redi.se/fu2
Lowender v1.4 VST WiN-R2R
http://beelink.in/20815/Lowender-v1.4-VST-WiN-R2R.html

Drum Gator v1.0.2.5 AU VST WiN MAC

TEAM R2R | 14.12.2015 | MAC: 14.81 MB | WiN: 9.28 MB

Drum Gator is a unique noise gate and envelope shaper designed specifically for drums and percussion. It is available for Windows platforms in VST (32 bit 64 bit) and AAX formats and Mac OSX in VST, VST3, AU, and AAX formats.

WHAT’S WRONG WITH NOISE GATES?
Traditional noise gates are triggered when the signal level reaches a threshold set by the user. Gates triggered in this way may chop off the initial onset of the drum hit, creating noticeable artifacts. These artifacts vary depending on the intensity of each drum beat. Also, in order to make sure that all drum hits are allowed through the gate, the user may be tempted to lower the threshold. This can have the side effect of allowing unwanted signals through the gate. The result is a tradeoff, with some drum hits gated out while some unwanted signals are passed through.

WHAT’S DIFFERENT ABOUT DRUM GATOR?
Drum Gator does not suffer from the issues experienced with traditional noise gates. It uses a transient detection algorithm combined with spectral analysis to provide an almost uncanny ability to remove only the unwanted drum hits while preserving other program material. It can also do things that are not possible with any other noise gate, opening up creative possibilities that were previously unavailable.

ACCURATE BEAT DETECTION
Drum Gator is triggered by a transient detection algorithm which monitors the rate of increase in the initial onset of the drum hit. This algorithm makes Drum Gator much less susceptible to the varying intensities of individual drum hits than conventional gates. It can accurately detect the initial onset of a drum hit resulting in a much more natural sound as the gate opens.

FREQUENCY SELECTIVE OPERATION
Drum Gator categorizes individual drum hits based on their spectral (frequency) content and provides a separate level control for each category. For example, you can reduce the snare drum “bleed” from a kick drum track or remove it completely by setting its level control to zero. Drum Gator doesn’t depend on the snare drum bleeding through at a lower level than the kick drum in order to remove it. If the signal bleeding through matches the spectral content of the snare drum, it can be removed regardless of its level. This approach is superior to the side chain tuning used by conventional gates and virtually eliminates false triggers.

TRANSIENT AND ENVELOPE SHAPING
Enhance or soften transients. Soften the hi-hat while simultaneously adding “snap” to the kick drum. Remove the excess reverb from the tail of the snare. Drum Gator can easily do all these things and more.

CREATIVE CONTROL
The “Closed” control allows you to control the amount of signal passed through when no transients are present, allowing for transient softening as well as “reverse gating” effects. The “Floor” control functions much like the “Range” control of conventional gates, allowing you to add some dry signal back into the mix.

LEARNING MODE
There’s an almost infinite variety of drum and percussion sounds out there, and each instrument has unique spectral characteristics. You can easily train Drum Gator to recognize and process the unique spectral characteristics of your program material. You are not limited to built-in spectral filters.

INFO/DEMO: https://goo.gl/vwVNZV
Drum Gator v1.0.2.5 AU VST WiN MAC-R2R
http://beelink.in/24964/Drum-Gator-v1.0.2.5-AU-VST-WiN-MAC-R2R.html

R2R INTERNAL Collection 2015 WiN MAC

TEAM R2R | December 2015 | WiN | MAC | 20.89 GB

AU VST VSTi VST3 RTAS AAX STANDALONE MASCHiNE EXPANSiONS

As some of you may know R2R has open up the vault to some of their earlier INTERNAL releases: Mission continues…

Contents:

PLUGiNS WiN ONLY:

• Crush Filter v1.0.2 WiN-R2R
• Fog Convolver v1.1.0 WiN-R2R
• KORG AudioGate v4.0.1 WiN-R2R
• Kuassa Plugin Bundles WiN 2015-R2R
• Maximal v1.0.0 WiN-R2R
• NI Replika v1.2.2 VST WiN-R2R
• PSP Plugin Bundles WiN 2015-R2R
• Plogue Chipspeech v1.039 WiN-R2R
• SampleTank 3 v3.6.1 AAX VSTi STANDALONE WiN-R2R
• SlamDawg v1.0.0 WiN-R2R
• Smart Chorus v1.0.0 WiN-R2R
• That Thing v1.1 WiN-R2R
• Valve Exciter v1.5.0 WiN-R2R
• Valve Filter VF-1 v1.5.0 WiN-R2R
• Vinyl Strip v1.1.1 WiN-R2R

PLUGiNS MAC ONLY:

• AGP2 v2.2.0 MAC OSX-R2R

PLUGiNS WiN & MAC:

• AD Restoration Suite v1.6.0 WiN MAC-R2R
• AGL2 v2.1.0 WiN MAC-R2R
• AmpliTube 4 Complete v4.0.2 WiN MAC-R2R
• apTrigga 3 v3.1.1 WiN MAC-R2R
• BFD Eco v1.7.0.5 WiN MAC-R2R
• Drumatom v2.0.2 WiN MAC-R2R
• DSP Trigger v1.6.0.7 WiN MAC-R2R
• Egoist v1.0.9 WiN MAC-R2R
• ERA-D v1.0.1 WiN MAC-R2R
• Freek v1.1 WiN MAC-R2R
• FXpansion BFD3 v3.1.2.0 WiN MAC-R2R
• Gater-Pro v4.0 WiN MAC-R2R
• MAGMA v1.6.6 WiN MAC-R2R
• Moodal v1.0.2 WiN MAC-R2R
• NI Flesh v1.0.0 HYBRiD-R2R
• Obscurium v1.0.3 WiN MAC-R2R
• OverTone DSP Plugin Bundles WiN MAC LiNUX 2015-R2R
• Plug And Mix Pro Series v1.0.2 WiN MAC-R2R
• Sandman v1.1.0 WiN MAC-R2R
• tkDelay v1.3.0 WiN MAC-R2R
• ValhallaPlate v1.0.0 WiN MAC-R2R

AUDiO SOFT WiN:

• Liptikl v1.2.12 WiN-R2R
• Mixtikl v6.3.1 WiN-R2R
• Noatikl v2.8.1 WiN-R2R

MASCHiNE EXPANSiONS:

• Amplified Funk v1.0.0 HYBRiD-R2R
• Cavern Floor v1.0.0 HYBRiD-R2R
• Conant Gardens v1.1.0 HYBRiD-R2R
• Crystal Daggers v1.0.0 HYBRiD-R2R
• Dark Pressure v1.1.0 HYBRiD-R2R
• Lone Forest v1.0.0 HYBRiD-R2R
• Platinum Bounce v1.1.0 HYBRiD-R2R
• Pulswerk v1.1.0 HYBRiD-R2R
• Raw Voltage v1.1.0 HYBRiD-R2R
• Transistor Punch v1.1.0 HYBRiD-R2R
• True School v1.1.0 HYBRiD-R2R
• Velvet Lounge v1.0.0 HYBRiD-R2R
• Vintage Heat v1.1.0 HYBRiD-R2R

PLUGiNS UPDATES WiN:

• Absynth 5 v5.3.1 UPDATE WiN-R2R
• AGP2 v2.2.0 UPDATE WiN-R2R
• Massive v1.5.1 UPDATE WiN-R2R
• NI FM8 v1.4.1 UPDATE WiN-R2R
• NI Komplete Kontrol v1.5.0 UPDATE WiN-R2R
• NI Maschine 2 v2.4.0 UPDATE WiN-R2R
• NI Reaktor 5 v5.9.4 UPDATE WiN-R2R

Bonus MAC:

• iZ Insight v1.04 Ked MAC OSX-Kleen

R2R INTERNAL Collection 12-2015 WiN MAC
http://beelink.in/25001/R2R-INTERNAL-Collection-12-2015-WiN-MAC.html

The Ultimate RNB Collection Urban Hybrid Edition

DiSCOVER | 10 DECEMBER 2012 | 784 MB

ACiD WAV AiFF REX MiDi

‘The Ultimate R&B Collection: Urban Hybrid Edition’ is the hot new Construction Kit that represents the the style of two of the most talented music makers in the game, Ryan Leslie and Brian Cox. Includes ACID/WAV, Apple Loops, REX and MIDI formats. ‘The Ultimate R&B Collection: Urban Hybrid Edition’ features 10 Construction Kits that are a modern hybrid of R&B, Hip Hop and Pop. All files are 100% royalty-free and come in ACID/WAV, Apple Loops, REX and MIDI format. Mix and match files to create tons of new ideas. The loops are all key and tempo labelled to get you started making hits in a flash.

Details:

• • 10 Construction Kits
• • Hip Hop, R&B
• • 1.78 GB total content
• • 100% Royalty-Free
• • Key and tempo labelled
• • 24-Bit/44.1kHz

Formats:

• • ACID/WAV
• • Apple Loops
• • REX
• • MIDI

INFO/DEMO: http://redi.se/b1j
The Ultimate RNB Collection Urban Hybrid Edition MULTiFORMAT
http://beelink.in/3437/The-Ultimate-RnB-Collection-Urban-Hybrid-Edition.html

Cinematic Horror Bundle WAV

FANTASTiC | 13 December 2015 | 8.7 GB

370+ files, 1.700+ sounds | 96kHz/24bit, WAV | XXGB

This SFX library is not for the faint-hearted, it’s pure evil and terrifying. We’ve had the great pleasure to co-produce our new SFX library with one of Hollywood’s horror genre expert and sound designer / editor, whose reference list includes films such as The Hills Have Eyes, Gothika, Thir13en Ghosts, Ghost Ship, House Of Wax, Haunted Hill, Mirrors etc. Besides these horror stories,  also worked on other great productions such as 8 Mile, Matrix Reloaded, Matrix Revolutions, Æon Flux, Swordfish, Four Brothers, Kiss Kiss Bang Bang and many more.

Intense and perfidious in character, it creeps under your skin, imbues your senses, depicts your hidden fears. Warning: once listened to, it may take residence in you and diffuse into your cells. Imagine a graveyard at night, a haunted old house, torture and intimidation or anything else that evokes your deepest anxieties. The CINEMATIC HORROR is your packet full of awfully great new sounds for sceneries of fright and terror: it’s full of extremes, shockers, impacts, stingers, whooshes, drones and more. Take those SFX by the horns and use the wild screams, mad laughter, vocal choirs, creaks, squeaks and groans to produce new shockers and jump-scares!

The CONSTRUCTION KIT holds more than 12GB high-quality source recordings and the DESIGNED version comes with more than 500 predesigned, “ready to use” sounds.

370+ files, 1.700+ sounds | 96kHz/24bit, WAV | XXGB

The bundle contains both, the CONSTRUCTION KIT and the DESIGNED edition.

INFO/DEMO: http://redi.se/3aj3
Cinematic Horror Bundle WAV-FANTASTiC
http://beelink.in/25002/Cinematic-Horror-Bundle-WAV-FANTASTiC.html